Vintage vs. New: Shopping for Mod threads in Boston

I've been to Boston only once before. It's hard to believe since it's only about a 6-hour drive from Montreal. I would venture to say that it's probably the American city that reminds me the most of home. Packed with great restaurants and boutiques, it's a shopper's paradise.

Being there for only a long weekend, I had to plan my shopping schedule carefully. Luckily, my travel companions Cynthia and Jonathan are seasoned bargain hunters.

Our first destination was the trendy Newbury Street.

A stop at the Ben Sherman store (154 Newbury St.) was in order to have a look at the new fall collection. There was nothing to get overly excited about but I did end up leaving with a classic red polo that had sleeves a lighter shade of red. At 70% off, it was going to make the trip back with me. I was disappointed they didn't have their fragrances in stock. Being an eau de cologne fanatic, I wanted to add one of their scents to my collection.

 

I have to give them credit for their stunning decor. A lot of thought went into the design of this 2-storey store.

Speaking of great looking shops, Goorin Bros. is well worth a look. This company is one of the few hat makers that make a short-brimmed trilby and porkpie. I bought one in New Orleans last year and can attest to their quality.

Jonathan looking dapper.

A few doors down you'll find the English clothing brand Barbour. Not typically Mod, they have a small selection of smart button-down shirts that would fit perfectly in any Mod wardrobe. 

But if you're looking for a wide range of high quality shirts, all you need to do is to walk a few blocks more to the impressive Brooks Brothers store (46 Newbury St.). Enter the Ivy League side of the Mod spectrum with 3 stories of my favorite American clothing label.

 

I was attracted to a very Mod looking tie pin displayed on a mannequin. But when I learnt of it's 120$ price tag, I resigned myself to living without a pure silver tie pin for a while longer.

Another shop worth seeking out is Hootenanny (36 John F. Kennedy Street). Situated a stone's throw from the prestigious Harvard University campus, it offers all your Mod friendly brands: Fred Perry, Ben Sherman, Levis, etc. I passed on an affordable 35$ pair of tan Warrior dessies. I'm a snob when it comes to my desert boots and only wear Clarks. Although they looked very close to the Clarks, I'm partial to the originals. I didn't leave empty handed. A fine pair of charcoal slim fit Levis made it's way into my suitcase.

The next day, we took the vintage route. Boston being the quintessential Ivy League town, my hopes were high. Under the guidance and expert recommendations of local Ace Face Dandy Dan Baker, we had a few addresses to visit. He first suggested we check out Bobby from Boston (19 Thayer Street).

Nestled in the hip South End neighborhood, the shop is not a place for sore eyes. It's like stepping back in time. The attention to detail would satisfy any Mod's highest standards.

Like any vintage store, you need a bit of luck and a good eye. It's hit or miss. If you happen to find something you can't live without, it's usually not your size. A vintage boating jacket had caught my eye but it was too small and the 495$ price tag was simply ridiculous.

Cynthia modeling a pink Baracuta Harrington

 I had better luck at the The Garment District. Less high end, they must survive on sheer volume. The place is huge! It's one of the biggest vintage clothing stores I ever been to. The prices are a fraction of what you would pay at Bobby's. The discovery of the day had to be this navy 3-button Brooks Brothers jacket. The golden buttons alone were worth the 11$ price I paid for it.

On the first floor, you can buy clothes by the pound.

Cynthia bought this great Ben Sherman jacket

 I also found a vintage piece I had been looking for, for a while now. This well-preserved satin smoking jacket would make Hugh Hefner proud.

 
I can already picture myself sipping a martini while lounging around listening to a Mose Allison record reminiscing about the wonderful time I had in Boston.

Boston knows its Soul music!

What an honor it was to be asked to join master selector DJ Ty Jesso at the weekly Soulelujah night in Cambridge, Massachusetts. I knew Ty by reputation only. For one, this Providence high school teacher is rumored to possess a very impressive personal 45 collection. He's also known for having the touch and flair to bring a packed dance floor into a frenzy. But what I didn't expect was how much of a personable, kind and warm fellow he was. Resident organizers and DJs PJ Gray and Sean Quinn are class acts themselves and made me feel quite welcomed.

Ty, Sean and I met at a local restaurant a couple of hours before the festivities to get acquainted and like any avid record collector, see if we could trade a few vinyls. I had brought with me a box of my rarest 60s French Quebec doubles and just like I expected, Ty already had all the good ones. Sean did manage to leave with a few of them. Clearly, I was the most fortunate of the trio. I did end up lightening Ty's load by a dozen or so records. You have to respect a guy that will trade or sell records to DJs above all. And by the more then fair price he quoted me, you can see that he's in it for the love of music.

Here's one of the jewels I inherited.

Ty had warned me that Zuzu's, one of Boston's hot spots, was going to be packed. I didn’t doubt him but nothing had really prepared me for such an energetic and dynamic crowd. The place consists of a large dance floor. That's it. If your not waiting to order a drink at the bar, then you are staking a place on the overflowing dance floor. At 1:30 am, there was still a line-up outside the club!

I have to admit that Ty made my life easy by warming up the patrons with his mix of Soul classics and groovy rarities. I really had no merit for getting the crowd going since Ty had done all the work. He even teased me by playing a couple of singles from my want list I had provided him the week before. The bastard!

All 45s, all the time!

What I enjoyed the most about my night was that I could play the most obscure tracks I had on hand and you knew people would enjoy it. Nobody came and asked for Lady Gaga. What a relief! Plus I got to play strictly Soul, Funk and RnB all night!

The Mod contingent didn't come out in full force but the handful that was there represented the cream of the crop. And thumbs up to the 3 scooters that made the trip! I was happy to see familiar Faces and get to meet a few new ones.

You can always count on Dandy Dan to warm up the dance floor with his incredible moves.

A huge thank you to Ty, Sean, PJ and the rest of the staff at Zuzu's for a night that went by way too quickly. I'm ready to travel all those miles whenever you'll have me!

In company of The Man

Here's a little taste of what I played.

Jerkin' The Dog - The Mighty Hannibal - Shurfire
A Little Bit Hurt - Julien Covey And The Machine - Fontana
Rubberneckin' - Elvis Presley - RCA
Day Tripper - The Vontastics - St. Laurence
(Just Like) Romeo & Juliet - The Reflections - Quality
Hit & Run - Rose Batiste - Revilot
Landslide - Tony Clarke - Chess

 
Soul Bossa Nova - Quincy Jones And His Orchestra - Mercury
Uptight - Jackie Wilson And Count Basie - Brunswick
Back In The USSR - Chubby Checker - Buddah
I'm The Man - Chris Jones - Goddie Train

 
That Thang - Buddy Lucas - Mohawk
If This Is Love - The Precisions - Drew

And a few more...

Lessons in Soul Music - Teaching the Next Generation of Mods?

For those who are not aware, I'm an elementary school teacher. I teach 5th grade in a French speaking school in Montreal. For a number of years now, every Monday morning, I've been conducting a short "musical discovery" session where I introduce my students to different musical styles. Over the past few months, we've explored such diverse genres as Trance, Salsa, Gregorian chants, Quebec folk, Reggae, Blues and Barber Shop Quartets.

One of the most memorable moments this year was when we discussed covers and the widespread use of samples in today's songs. I had them listen to Rihanna's SOS sampling of Soft Cell's Tainted Love. Their response was priceless when they compared it to the 1981 hit. But that was nothing if you look at how they reacted when they first heard Gloria Jones' original 1964 version. They looked stunned.

Lesson learnt: Before you critique another generation's music, be advised, you might be derogating the original version of one of your favorite songs.

Just before the summer holidays, it was time for them to learn about the ancient art of playing vinyl records. May I remind you that all of my students were born in this century? 45s are as foreign to them as getting up to change channels on the television or phones attached to the wall. So what better way of introducing them to those curious little black discs, with a huge hole in the middle, then to have them listen to sweet Soul music?

I gave a quick history lesson on the huge contribution of Motown and Stax to popular culture and the influence of cities like New York, Memphis, New Orleans, Detroit and Chicago. Soul music is not necessarily at the top of their iPod playlist but when I told them about a young black kid about their age and four of his brothers recording their first record at Hitsville USA, faces started lighting up.

My visit to Motown in August 2010

Stax - Memphis - March 2011

I then pulled out my mysterious little carrying case. "Is that your lunchbox?" one asked. As they started pulling out the 45s, you could tell some of them had never held one. They didn't even have the reflex of pulling them out of their sleeves. This is one of the reasons why I love my job. Children will sometimes have that sparkle in their eye when they experience something new. It's clearly visible in the following video.

When I asked how many songs could fit on a 7", Tristan answered without hesitation that it was 45. He had seen it on the label. They were also intrigued by the fact that you had a song on both sides of the record. Jessie thought that you had the English version on one side and the French on the other.

The most surprising moment was when I asked what we call the machine that plays records. No one had a clue. Out of 30 students, no one could come up with "record player" or "turntable". I did receive a slew of interesting and imaginative answers.  "Spin-O-Rama", "Vinylophone" are some of the most creative examples.

When came time to play the records, I was fascinated at how their intuition guided their logic. For one, the concept of putting the needle at the beginning of the record didn't occur to them. With MP3s nowadays, you simply have to push a button. When we got the turntable going, no sound came out. I had purposely hidden the speakers from them to see how they would react. The miniaturization of technology has also affected this generation's perception.

Another captivating moment for me was when I asked what the "33" button was for. Again, I couldn't have predicted some of the answers I got. Joey thought it was so we could hear the lyrics more clearly.  After a short demonstration, we quickly put that theory aside. Rainiel on the other hand thought it had to do with the type of music we listened to. Yasine came up with the most interesting answer: "It so we can dance slower."

I chose 2 classics to introduce them to soul music, Booker T and the MG's Green Onions and Stevie Wonder's Uptight (Everything's Alright). They were quite amused by the title of the first and happy to learn that Stevie Wonder had started his career at the same age they had. I invite you to view the entire video even if you don't understand French. Some of the reactions of my students are priceless. Who knows, maybe you are witnessing the birth of a new generation of Mods?

Go-Go Dresses, Paisley Shirts and Vinyls: A weekend spent at MODchicago

It’s already been a month since MODchicago’s Our Way of Thinking 9 weekender. It took this long to write about my experience as a DJ in vibrant Chitown for two reasons. One, I just went through the throws of finishing the school year as a 5th grade elementary school teacher and second, I just couldn’t find the appropriate words to express how much I had enjoyed myself. A week after I had come back, I was still on a high.

Friday night at the Liar's Club

A Mod weekender in North America might not compare with an Isle of Wight rally or a Northern Soul night in Madrid in terms of attendance but I would bet my hard earned meager teacher’s salary that it measures up in terms of heart and soul. For one, the quality of DJs that I had the privilege of sharing the decks with is second to none. 

The most unique DJ I ever met. Dante from Italy cues his records with a monocle sized pocket magnifying glass. He doesn't use headphones! He's incredible!

The DJs were a passionate bunch who knew a thing or two about 60s music. I had been in contact with a few of them through trusty Facebook before, but I couldn’t imagine that by the end of the weekend I would actually come to consider all of them as friends.

That goes for the dedicated crowd in attendance as well, impeccable followers of fashion with active feet and smiling faces. Everybody was just so nice! 

Saturday night at the Late Bar

I take exception with the guy who doesn’t own a bar of soap. His body odor was so strong that he had half of the dance floor to himself. You would've thought that he would've taken a shower the next day. No such luck! I thought of throwing a bit of baby powder his way at one point.

Bad hygiene aside, what was also inspiring is that all the DJs felt free to play the most obscure tracks they had on hand and you knew that the dance floor would be packed. You felt confident that everyone would embark on your musical journey.

There’s one thing I didn’t expect at all. I couldn’t believe how 60s French Canadian artists were so popular. I had to scratch a few tunes off my set list because a couple of DJs had played them before me. What?! Really? You should've seen my face when I heard my mate Brian aka The Midnite Cowbwoy play this amazing track by Freddy et Les Chomeurs. Most of my friends don't know anything about this group so I couldn't wrap my head around the fact that this guy from North Carolina had it on 45!

I got hints of how Quebec 60s and early 70s music was sought after when I brought a bunch of 45s at the Saturday afternoon swap meet. Not a lot of people showed up but all the DJs, fitting the previous night’s hangover, were all eager to trade. I didn’t leave with anything particularly rare but I did get to swap half of my stack for some quality stuff. A term that was abundantly used that weekend was “titty shaker” and that best describes the records that I left with.

I have to thank Sir Eric Collin for the flawless organization of the weekend. His positive vibe made these few days, ones that I will cherish for a long, long time.

The Maestro and I

So in the tradition of my fellow DJs, here is the set list of what I played during the Saturday night event.

Ooh Poo Pah Do - Skip Easterling - Instant

Walk That Walk - David Clayton Thomas - Red Leaf

Hung Up On You - Thee Deuces - Sir John A.

Low Man - Don Norman And The Other Four - Sir John A.

You Come On Too Strong - The Rabble - Trans World

Nothin' - The Ugly Ducklings - Arc

1-2-5 - The Haunted - Quality

Who Dat? - The Jury - Port 

Respect - The Vagrants - Atco

Boum! Boum! - Les Mykels - Select

Batman - Les Hou-Lops - Apex

J'ai Cru A Mon Reve - Les Tallmud - RCA Victor

Ça Ne Tient Pas Debout - Les Dinn's - Riviera

7 Heures Du Matin - Jacqueline Taieb - Impact

Les Jeunes Tigres - Les Safari - CBS

Stop Il Faut Arreter - Pierre Perpall - Citation

Jimmy Mack - Les Coquettes - Sabre

Satisfaction - Pierre Perpall - Teledisc

Soul A Go-Go - The Vibrations - OKeh

Give Me One More Chance - Wilmer And The Dukes - Apex

The New Breed - Jimmy Holiday - Diplomacy

Higher And Higher - Jackie Wilson - Brunswick

Nitty Gritty - Marie Claire - Citation

Loosen Up - The Short Kuts - Pepper

Back In The U.S.S.R. - Chubby Checker - Buddah

Without A Warning - The Amazers - Thomas

Le Sens De l'Amitie - Le Clan 91 - Franco Elite

Les Cactus - Jacques Dutronc - Vogue

Biff, Bang, Pow - The Creation - Hit-ton

I'm Moving On - Matt Lucas - Smash

Here's a little taste of the action around 3:30 am. A great Northern Soul rendition of The Rolling Stone's Satisfaction by Quebec artist Pierre Perpall. Enjoy!

The Mod target and other pop icons

Since the 60s, Mods have been linked to RAF roundel and various other pop icons. Simple images like the arrow, the male symbol or the Union Jack have all graced many parkas over the years. It's hard to pinpoint exactly how that trend has started but bands like The Who certainly helped propagate the image. For the record, I have never seen a single photo of a 60s Mod with the target displayed anywhere. One thing is certain, once the Mod revival was in full swing, you stayed clear of any shooting range.

I've always loved the look of the Mod target. It's straightforward, effective, simple and downright cool. The only problem is that it's overused. Ben Sherman has 25 different versions of it (I didn't actually count but there's a lot) on t-shirts. It's a bit much. This is a case of less is more. That's why I usually only have one on my parka and occasionally one on my suit lapel. My loft isn't full of them and my scooters have none.

A couple of years ago, I did buy a magnet set that I found at a flea market.  It now resides on my fridge. I purchased it because I found it amusing that a company had reduced the Mod movement to a handful of images. It was harder for me to admit that they had it right: a suited young man wearing a fishtail parka, a Vespa, a Fred Perry style shirt, a bowling shoe, an electric guitar, a portable record player, a British flag jacket and the Mod target. We have come full circle. Mods themselves have become pop icons. Is this a good thing? The subject is open for debate.

One symbol I always liked was the London underground sign. Not purely Mod but distinctively British. The red, white and blue timeless modern design hits every mark. And for a Canadian like me, it evokes images of Canarby Street, Piccadilly Circus and the 100th Club.

So when an antique dealer friend contacted me because he had one for sale, I jumped at the chance. It's actually a metal replica of the real deal. Montreal being a city that welcomes a fair amount of big Hollywood movie productions, it was apparently used as a film prop in a scene set in London. It's a shame that my mate Stéphane didn't ask in what movie it was used. But I haven't given up in finding which one.

When you stop and think about it, the Montreal subway system , the Metro, has it's own very "modish" logo.  Inaugurated on October 14, 1966, it has a definite modernist feel. With it's circle and attached arrow pointing downward to show the direction you are about to take, it can't get more Mod then that.

The Viau metro station, a few blocks from my place

For now, the London underground sign is proudly displayed in my loft, part of a growing collection of 20th century design icons. And everytime I gaze at it, this song pops up in my mind...