Living as a Mod in the 21st Century

Friday, December 8, 2017

The Top 30 Sixties Soul Tracks About Food - Part I - The Instrumentals

My obession with coming up with "suites" featuring a certain theme is relentless. That's how my crazy Mod DJ brain works. On any given night, I'll be behind the turntables and I'll spin a few tracks that all follow the same thread. For exemple, I'll play songs that all have the word "yeah" in the title. It amuses me. It challenges me and keeps me entertained. On the rare occasion, a patron will come up to me and say: "I see what you're doing there..." and he'll give me a thumbs up.

So whenever I go trough my 45 collection, themes seem to naturally emerge. On this blog, I've come up with charts about dogs, money, Batman, US cities and monkeys. The latest one I want to tackle is food. Soul music & food seem to go hand in hand. There are so many noteworthy tracks that I had to split my list in two: instrumentals and vocals. There's such a large smorgasbord of songs about food out there, it's hard to digest. Hell, a famous Soul singer even has a desert as a nickname. I'm talking about you, Sugar Pie De Santo!

The same criteria apply to this list as my previous ones. I need to own the record and it has to be on the obscure side. Of course, a few unavoidable classics will make an appearance. While reading this post, hop over to the Parka Avenue Mixcloud page and you'll be able to hear every track in order. Plus, it's the perfect soundtrack for preparing a nice romantic supper.

1) Greens Onions - Booker T. & The M.G.s - Stax

I was once asked in an interview, on a local radio morning talk show, what the quintessential Mod track was. Green Onions was my answer. It's Mod to the core. Booker T Jones' Hammond B3 melody is the standard for anything that was ever recorded using that instrument. I was fortunate enough to see the actual organ used on this track at the Stax Museum in Memphis. You can read about my visit  and see a photo of the organ here.

A case could be made that the title doesn't refer to food at all. You could be right. Over the years, many stories surfaced to explain the title. According to the guitarist Steve Cropper, the Green Badger's cat, Green Onions, was the one who inspired the track. If you ask Jones, the accounts differ. He once said in a interview: "The bass player thought it was so funky, he wanted to call it 'Funky Onions', but they thought that was too low-class, so we used 'Green Onions' instead."

Fun fact. Did you know that when Green Onions came out on Volt in 1962, it was released as a b-side? Quite remarkable for the most succesful instrumental of all-time! No cover will ever surpass or even come close to the original but there are a couple of notable renditions. One of them is Les Oignons Verts  (Green Onions in French) by Quebec group Les Nobels. This valiant effort is just different enough to make it interesting and stand on its own.

2) Cold Jam For Breakfast - Jimmy Coe - Intro

Not much is known about this 1966 release on the tiny label Intro. Jimmy Coe was a jazz saxophonist and bandleader that was involved in various projects. One thing I can confirm, this slice of Mod Jazz is as tasty as some cold jam on a golden piece of toast. The b-side, French Fried, could have been a contender but the a-side commends all the attention.

3) Hot Barbecue - Brother Jack McDuff - Prestige

Food was a recurring theme in the Mod Jazz arena. And the Hammond B3 was centre stage. This number, recorded in the Big Apple in 1966, is no exception. Just like his compatriotes Jimmy Smith, Booker T and Jimmy McGriff, Jack held his own. I rarely come accross an intrumental on Prestige I don't like.

4) Red Pepper I - Roosevelt Fountain - Prince-Adams

What do you say we roast some red peppers on that hot barbecue? Here's another example of a solid, organ driven slab of Mod Jazz. Released in late 1962, just like Green Onions, this one actually made Billboard's top 100. It peaked at the #78 spot in early 1963. The good news about this 45 is that you won't break the bank to get yourself a copy.

5) Piment Rouge - Nick Ayoub - Caprice

Speaking of red peppers, Piment Rouge (red pepper in French) also falls in the Green Onions veine of Mod Jazz. I'm always astonished at how my city was such a hip and happening place in the 60s and this chunk of cool sax driven Mod RnB came out of it. This 45 isn't easy to come by and can easily be filed under "rare".

Nick Ayoub was a Montreal saxophonist heavily involved in the local Jazz scene for decades. He started his professional career in 1943 and was active until the late 80s. He was a Jack of all trades playing the saxophone, the clarinet, the oboe, the english horn, the flute and was also composing.

6) It's Grits Time - Billy Martin - London

Here's another one from the local boys. This 7" is probably the rarest of the bunch and little is known about it. It was recorded in my hometown of Montreal probably around '65 - '66. Billy Martin was a black American musician who left Brooklyn, NY and lived in Montreal throughout the 60's. I can attest that grits is not typically part of a Montrealers' daily diet but that doesn't make this up-tempo, organ infused instrumental any less authentic.

7) Sour Biscuits - Wes Dakus - Quality

We're not ready to leave Canada just yet. Born in Mannville, Alberta, this Canuck has his roots firmly planted in the Prairies. Wesley Dakus and his band, The Rebels, were considered to be one of the best instrumental acts in Canada during the sixties.

Sour Biscuits is the b-side to Las Vegas Scene. In Canada it was released in 1964 on Quality Records but you could find it on the Swan label in the US. This slow burner is a mix between Soul and straight Surf Rock because of the prominent guitar and abscence of horns. If you like what you hear, I suggest seeking out his high intensity cover of Shotgun. Fans of crazy fuzz guitar beware!

8) Pizza Sure Is Good - Dick & Libby Halleman - Summit

I could not agree more with the title of a song! I couldn't find any information about this 1963 Arizona sax driven rocker. A stash of old stock, unused copies seems to have been recently discovered and I managed to put my hands on one. All I can tell you is that it's as good as a piece of pie from Elio's, an old school pizzaria that I've been visiting yearly since I was a kid.

9) Rooster Knees & Rice - Clarence & Calvin - Atco

Can't say that I ever tasted rooster knees before but if I go by the intermittent "yeah's" you hear all through the song, maybe I'm missing something. This 1965 b-side is another indication that you should always, as my mate DJ Mod Marty always says: "Flip it over!"

In case you're wondering, Clarence refers to the prolific and successful Soul singer Clarence Carter and Calvin is Calvin Scott, who went on to sing for Stax as a solo artist. The two met at a young age when they were both attending the Alabama School for the Blind in Talladega.
10) Rib Tip's (Part 1) - Andre Williams & His Orch. - Reo

I don't know if these guys were hosting a backyard BBQ party while recording this track but I wouldn't mind getting invited to that shindig. Seems like a whole lotta fun! Williams had a series of big hits but this lesser known 1967 instrumental is just as solid. You'll recognize Williams' style from the very start. In the US, the single came out on Avin records.

11) Cole Slaw - Lou Donaldson Quartet - Argo

You know what goes really well with rib tips? Coleslaw! And instead of having the Hammond B3 as the star, let the alto sax of M. Donaldson have the spotlight for a change. This smooth and creamy ( that's how I like my coleslaw by the way) piece of Mod Jazz is ponctuated by a few pauses throughout, which makes it even more unique. I remember digging this one out of a record store in Jersey City.

12) Hot Dog - Lou Donaldson - Blue Note

Whether you like your dog Chicago style with all the fixins, smothered with chili like the famous Coney Island dog in Detroit or with some spicy mustard and sauerkraut like you'll find on every corner of the Big Apple, this is the track you need to be listening to while chomping on it.

Not only does Lou Donaldson make eating sound cool but he also looks classy doing so. He's one of those musicians that has a great fashion sense and that Mods would try to emulate back in the early 60s.

13) Cornbread, Hog Maw And Chitterlin's - Bobby Hollaway - Smash

I actually had to look up hog maw and chitterlins to make sure that we were genuinely talking about food. For those neophites out there, hog maw is the exterior muscular wall of a pig's stomach and chitterlins are the intestins. They are part of the traditionnal soul food repertoire. I had soul food on several occasions in the South but for some reason, hog maw and chitterlins have always escaped me.

Couldn't find any info on Bobby Hollaway and this seems to be his only 45. The hard-hitting drums, pounding sax and frantic, on the verge of loosing control organ makes it the perfect dance floor bomb. You might be out of breath from dancing to this but that's a good thing. You need to burn all those calories from eating that plate of hog maw.

14) Chittlin' Salad - The Soul Runners - MoSoul

Didn't have enough chittlin'? How about a salad? If it hasn't been evident to this point, let me point out the obvious. Black American musicians + soul food = great Soul music. This is no exception.

It's important to point out that up until the 60s, black entertainers, in certain parts of the United States, mainly the South, were only allowed to perform in predetermined venues. The list of theatres, night clubs and concert halls were part of what was dubbed as the "Chitlin' Circuit". Many of our favorite Soul artists such as Sam Cooke, Etta James, Aretha Franklin, Otis Redding, Wilson Pickett and Marvin Gaye made the rounds on the circuit.

15) Sardines And Turnip Greens - The Dynamics - J and J

This slice of 1969 slow burning greasy funky RnB is very typical of its era. What sets it apart is the preeminent harmonica. The bass is also tight and worth a mention. This record seems to have also been released on Atlantic under The Dynamic Eight.

16) Rythm & Greens - The Shadows - Atlantic

Here's a second helping of greens. We might be stretching the definition of Soul on this one. This track definitely resides more on the British Maximum RnB and Garage side. And does this one have anything to do with food? I can't say for sure. This wacky instrumental was part of a short movie of the same name where the members of The Shadows were dressed up as cavemen and played on the beaches of the British seaside.

17) Cold Cuts - Chuck Leach and The X-L's - 4 Sons

Little is known about Chuck Leach and this Paris, Tennessee record label. Only four titles were ever released on 4 Sons Records. If any of the other 45s are half as good as this one, it's a shame they had such a limited run. You might need to take a break and make yourself a hoagie after dancing to this one because it is fast!

18) Watermelon Man - Mongo Santamaria Band - Battle

I did say that I was going to throw a few hits in the lot. This jazz staple was first revealed to the world on Herbie Hancock's debut album Takin' Off in 1962. But it was really Mongo Santamaria's Latin Boogaloo version that catapulted it to the #10 spot on the pop charts the same year. That's the version every Mod will turn to.

It was when Hancock replaced Santamaria's pianist in a nightclub in the Bronx that the congas player was first introduced to it. An impromptu jam session started and the audience got into the groove and spontanously started dancing. The rest, as we say, is history.

Jean King recorded a saultry version with lyrics on Hanna-Barbera Records. It didn't have as much exposure as Mongo's cover but if you're a fan of the song, this one is worth seeking out.

19) Soul Sauce - Cal Tjader - Verve

Here's some more Latin Soul to spice things up. Cal Tjader, an accomplished percussionist, was best known for his prowess on the vibrophone. The great Dizzie Gillepsie is credited as one of the composers. This is the type of track you enjoy in a lounge, wearing a Hugh Hefner type smoking jacket, sipping a martini.

20) (Do the) Mashed Patatoes - Nat Kendrick and the Swans -Reo

You might be surprised to learn that Nat Kendrick and the Swans is actually James Brown and his band. James Brown, who was under contract with King, was unsuccessful in convincing Syd Nathan, the head of the label, to come out with a dance craze single. In hindsight, maybe he should have since this one became a Top Ten hit in 1960. In the US, the 45 was issued on Dade.

On the track, you can hear James Brown shouting the song's title but you can also hear a second voice. That would be Carlton "King" Coleman, the "Boo Boo song" man himself.

21) Roasted Peanuts - The Jumpings Jacks - Bertram International

When my good friend Ben and co-host of the Addicted to the Needle podcast sold me this record on air, I was certain I had heard it before. That's because it's very similar to (Do the) Mashed Potatos. The influences are undeniable. But if I had to choose between the two, I would opt for this one.

22) Monkey Hips and Rice - Hank Jacobs - Sue

This up-tempo hand clapper came out in 1964 on the Sue label and I was lucky enough to have found a very rare Canadian pressing. You must not confuse this rather obscure instrumental with the Doo Wop version by The 5 Royales. The Hank Jacobs Mod Jazz 45 is the one you want to seek out.

It's a good thing that Google exists because there's no way I could have figured out what monkey hips were. Even the search engine didn't yield a ton of info. From what I gathered, monkey hips are pork chops.

23) Memphis Soul Stew - King Curtis - Atco

This track starts with King Curtis reciting a recipe for the perfect Soul track. Instruments are being added as ingredients would be in a stew. The end result is one full-bodied funky ass instrumental. I would have this for breakfast, lunch and dinner, any day of the week.

24) Pots & Pans - Part I - King Curtis - Atco

After hours of slow cooking your Soul stew, you might want to attack those pots and pans. King Curtis deserves two spots on this list.The drums on this track are so funky that actual pots and pans might have been used. The killer bass line and sax make this the perfect soundtrack to wash dishes after a diner party.

25) Sweet Bacon - Julian Covey and the Machine - Fontana

Sweet Bacon might be the b-side to the Northern Soul classic and Mod anthem A Little Bit Hurt but it's still a killer organ driven intrumental with a robust guitar, jumping in mid-track. This, folks, is what we call a double threat. And who doesn't love bacon anyway?

26) Chocolate Candy - Sonny Cox - Bell

I think we're ready for desert now. Something sweet perhaps? This track is actually a cover of The Soulful Strings. This version has very smooth but powerful horns that replaces the violins in the original track. The heavy bass definitely pulls it in the funk realm.

27) Chocolate Cherry - The Joe Tex Band - Atco 

I forgot how much I love this record. Joe Tex really has the Midas touch because everything he touches turns to gold. This piece of late 60s Soul is so well balanced, going back and forth between the horns and the organ, that I have a hard time wraping my head around the fact that it's actually a b-side. Of all the tracks on this list, this is without a doubt, the cherry on top.

28) Cracker Jack - Mickey And His Mice - Marti

You would think that a bunch of mice would be more into cheese as opposed to the popular boxed snack but I'm not a rodant. So what do I know? I dare anyone not to clap along to this funky dance floor scorcher from Baltimore. The good news is that this record is cheap and pretty common in the States. It will set you back the price of a box of Cracker Jacks.

29) Sno-Cone (Part I) - Albert Colins - TCF Hall

This mix of Texas blues and Soul came out in 1965. The label got it right. It's in fact the "cool sound" of Albert Collins. It's as cool as a lemon flavored sno-cone on a hot summer night. I picked this one up on my latest trip to Baltimore. Speaking of sno-cones and Baltimore, the best sno-cone I ever had was served from the back of what looked like a 3-wheel Lambro or Vespa Ape at the 2016 Baltimore Scooter Rally.

30) Cool Aid - Paul Humphrey & His Cool Aid Chemists - Lizard

After all that food, you'll need a drink to wash it all down. And I can't think of a more typically American beverage than Kool Aid to help accomplish that. I don't know if Paul & His Cool Aid Chemists deliberately changed the "K" to a "C" in Cool Aid to avoid any possible courtroom entanglements but it's a catchy tune nonetheless. We won't hold it in contempt. It could be disqualified on other charges. Technically, it's not a 60s track since it was released in 1971.

This one has a punchy funky vibe with distorted guitar and some powerful organ that will hit you like the Kool Aid Man bursting through a brick wall.

Side note: Can someone explain to me why the Lizard record label has a black cat as a logo?

Any notable tracks you feel should have made the list? Let us know in the comment section below or on the Parka Avenue Facebook page. To listen to all the tracks listed here, boogaloo down to the Parka Avenue Podcast on Mixcloud.

Wednesday, October 11, 2017

Time For A New Symbol? Let's Make Mod History!

The Mod roundel has been associated, for better or for worse, to the Mod culture for decades now. I've discussed my love / hate relationship with the "target" in a 2011 blog post entitled The Mod Target and Other Pop Icons. You can read all about it here.

Mods aren't the only subculture that have strong, longlasting symbols associated with them. Punks have the anarchy "A" and the safety pin and you can't avoid seing a black fist whenever you attend a Northern Soul night.

The black and white checkered patern has been all over the Ska scene since the Two-Tone era. Representing the unity between the black and white community, it has a powerful anti-racist message.
When I say "boots and braces", you think Skinhead, right? The Trojan helmet is also closely tied to Skins and their love for the British Ska and Reggae record label of the same name.

Let me break it down even further. A few scenes also have animals as emblems. The night owl is indicative of the Northern Soul scene.
You see it on posters, pins and on patches adorning the iconic Adidas bag.

Photographer unknown
The Skinheads have proudly adopted the British bulldog as a patriotic symbol of strength. The dog breed has been seen on t-shirts or permanently tattooed on the body of many Skinheads.

Photo by Gaven Watson
Photographer unknown.
But what about Mods? Shouldn't we also have an animal representing us? Isn't it time we refresh our brand? You know, something a little more modern maybe? How about we make Mod history today? Join me in shaping our image and taking part in what could leave a mark on Mod culture for decades to come. Are you with me?

Let's be perfectly clear here. I'm not suggesting or advocating that we replace or change the target. In fact, all of the design offered here include the target in it. Every single one of them. All that I'm is proposing is to add something new but classic at the same time. That is at the core of what Mod is. The status quo is the enemy and goes against the essence of what a Mod truly is.

Let's be realistic, there's no link between the RAF symbol and Mods in the 60s, yet we accept it. The roundel really made its appearance 20 years later during the Mod Revival. I have never seen a single photo of an original Mod from the sixties displaying any kind of target. If you have one, by all means, please share it with us. I would love to see it. The roundel has no reason for existing except for the fact that Keith Moon had one on his t-shirt in a photo shoot 50+ years ago. And Keith wasn't even a Mod!

I always thought that Mods were forward thinking, pushed the boundaries, came up with new ideas. That is the essence of what Mod is. At least it was in the 60s.  The fundamental basis of being a Mod IS change. It's at its core. I didn't come up with the concept. That's what the original Mods were all about. They came up with new clothing styles, ways of presenting themselves and remade the world in their image on a weekly basis! That's what distinguished the Faces from the Tickets. Now, I don't hold all the answers or pretend to be the ultimate expert. But I took a chance. Dared a little.

For more then a year now, I've been pondering on what animal would best embody the Mod ethos. It's not a question I tackled lightly. It's a minefield I was prepared to navigate carefully and I did come up with an answer: the peacock!

Let me make my case. We often regard the peacock has having human characteristics that are usually prized by our tribe: integrity, beauty, pride, confidence, independance and refinement. We can add a little cockiness in there for good measure. Technically, only males are peacocks. Even if Mod culture is a very male-centric subculture, let's not diminish the contribution of our female contreparts. So if you want to be inclusive, we can call them peafowls.

But there is a little more to peacocks then that. First, did you know that a group of peafowls is called a pride or a party? Seems quite fitting if you ask me. A peacock also loses its train every year after mating season. Doesn't that sound like a Mod that will change his clothes on a regular basis simply to impress? Speaking of a peacock's feathers, they hold microscopic crystal-like structures that gives them an irredescent sheen. That sure reminds me of a Mod wearing his best shark skin suit.

Mods are the peacocks of any dance floor, struting around in their latest threads. When they hop on their Vespas and Lambrettas, they fan out their mirrors like the patterned plumage of their winged alter egos. Are you following me?

So I decided to solicite the help of two of the most talented artists I know. They graciously accepted the challenge of coming up with designs of the majestic bird à la Mod.

Mod Marty, aside from being one of my best friends and a skilled artist, is also the man behind the great radio show and podcast On Target - It's What's In The Grooves That Count. I was a fan of Marty's art long before I ever met him. Back in the 90s, he published an ultra cool Mod comic called Kinder Nacht. He has also designed all of the posters for the weekender I host every year, MODtreal.

He's also the mastermind behind the wonderful Parka Avenue Facebook logo and the logo for my podcast, Addicted to the Needle. I think his Mod credentials need no further explanation.

Julian Weber is a young upcoming German artist that has a style reminescent of all the great mid-century commercial illustrators. I love this lad's modus aparendi and he has a great eye for the Mod esthetic. I predict a bright futur for him. He worked on this year's MODtreal poster with Mod Marty and did a fantastic job. He was also kind enough to come up with this great drawing for the blog. You can browse through his work on the Julian Weber Art Facebook page.

Now is the time for the big reveal! Up first, Mod Marty brilliantly hatched a clean, smart, polished rendition of our new symbol. You have a favorite? Let us know.

Julian, in his own original style has hit all the marks. Is Julian's illustration the face of a new generation of Mods? You tell us.

Your feedback and support are crucial if we want this to work. Dessiminate the idea! Show off your favorite one! Come up with your own version and share it on the Parka Avenue Facebook page here. We all agreed that these images would be free of ownership. You want to use it for an upcoming Mod allnighter poster or banner? Please do! You want to make it part of your new scooter club logo? It's yours!

It's now time to spread the word and those wings...